Clinics & masterclasses

Sharpen your section's sound in a single session.

Hands-on clinics built around your group's actual goals — not a canned presentation. Your players leave with technique they can feel, and you leave with things you can run in rehearsal the next day.

Book a clinic
Taylor Dwyer seated on concrete steps beside a set of hand percussion — cowbell, metal shaker, egg shakers, and a tambourine

What I can cover

Pick a focus, or tell me the problem and I'll build the session around it.

Technique

  • Snare fundamentals
  • Keyboard percussion
  • Four-mallet technique
  • Timpani

Ensemble

  • Front ensemble
  • Drumline
  • Concert percussion section
  • Full-band percussion integration

The bigger picture

  • Audition preparation
  • Student leadership
  • Practice strategies
  • College preparation

Formats

Single session
One rehearsal block with one clear target. Best when you know exactly what's broken and want it fixed.
Half day
Two or three blocks — usually technique with the full section, then split work by instrument. The most common booking.
Full day
Section-wide reset. Fundamentals in the morning, ensemble and repertoire in the afternoon, and a plan for what happens after I leave.
Short series
Several visits across a season, so the work actually sticks. Priced as a package rather than per visit.
Where
North Texas is home base. I travel further for full-day and series bookings.
Rates
Depends on format, travel, and whether it's a one-off or a series. Tell me what you're planning and I'll send a number.

How a clinic actually runs

Before

We talk for fifteen minutes. I want to know your ensemble size, where they are, what's coming up on the calendar, and the two or three things you most want fixed. I build the session from that. A clinician who shows up without asking is just guessing.

During

Mostly playing, not talking. I diagnose what I hear, name it in language students understand, and give them a fix they can repeat. Directors are welcome to jump in — you know these kids better than I do.

After

You get the exercises we used and a short list of what to keep after me. The point is that the section still sounds better in three weeks, not just at the end of the day.

Who books these: middle and high school programs prepping for UIL or contest, sections that have plateaued, and mid-season resets when something isn't clicking and you can't put your finger on why.

Let's get it on the calendar.

Send your ensemble size, the dates you're considering, and the two or three things you most want fixed. That's enough for me to come back with a real plan instead of a brochure.

Also available: beginner placement testing, mock auditions, and running live auditions.

Book a clinic